Writing

  • No Wheels, No Problem: How to Experience Los Angeles without a Car

    By Andrea Gutierrez » Orig­i­nal­ly pub­lished on OnSheGoes.com (August 16, 2017) I hate dri­ving. It’s not just the traf­fic or the amount of mon­ey I’ve sunk into the most basic upkeep of own­ing a car—I hate the act of dri­ving. And yet I dri­ve every day, usu­al­ly alone, through clogged streets and free­ways, anoth­er lone dri­ver…

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  • We Were Angry and Wanted an Outlet: Hijas de la Paz

    by Andrea Gutierrez » Orig­i­nal­ly pub­lished in make/shift (Summer/Fall 2017, no. 20) When Michelle Lozano and Bree’Anna Guz­man, two young women from Los Angeles’s Lin­coln Heights neigh­bor­hood, were mur­dered with­in months of each oth­er in 2011 and 2012, sis­ters Sele­na Orte­ga and Adri­ana Duran knew they had to act. They didn’t know the mur­dered women, but they…

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  • How to Grow Old

    by Andrea Gutierrez » Orig­i­nal­ly pub­lished in issue 6 of Huizache (Fall 2016) Grandma’s prepa­ra­tions for her death began in 1975, some years before I was born. Grand­pa Roland had just died of a heart attack while golf­ing in Grif­fith Park, and she made funer­al arrange­ments at Mira­bal Mor­tu­ary near her house in Lin­coln Heights—not only for…

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  • Film Review: Don’t Tell Anyone (No le digas a nadie)

    By Andrea Gutierrez » Orig­i­nal­ly pub­lished in Bitch (Sum­mer 2016, no. 71) Don’t Tell Anyone (No le digas a nadie) Director: Mikaela Shwer Portret Films “No le digas a nadie,” Angy Rivera’s moth­er would warn her about their undoc­u­ment­ed immi­gra­tion sta­tus. Don’t tell any­one. In the doc­u­men­tary of the same name, Angy Rivera chafes against this advice…

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  • Love on the Front Lines: A Roundtable with Co-Editors of Revolutionary Mothering

    By Andrea M. Gutierrez » Orig­i­nal­ly pub­lished in make/shift (Summer/Fall 2016, no. 19) Rev­o­lu­tion­ary Moth­er­ing: Love on the Front Lines (PM Press), co-edit­ed by Alex­is Pauline Gumbs, Chi­na Martens, and Mai’a Williams, is an anthol­o­gy that cen­ters and cel­e­brates moth­ers and acts of moth­er­ing in mar­gin­al­ized com­mu­ni­ties, in par­tic­u­lar rad­i­cal moth­ers of col­or. Prose and poems make…

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